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Collection > Volume 13 Numéro 1 (2002) > Electroacoustic Music and the Digital FutureAbstractThis article outlines the author’s views on the contemporary social and economic situation of electroacoustic music and digital technology in general. The dominance of commercial interests in shaping the listener, the artist, and the definition of culture is examined. Issues associated with digital technology, such as standardization, de-skilling, and upgrades, are discussed with respect to artistic practice. It is argued that marginalized artforms such as electroacoustic music have benefited from the windsurfer availability of the digital audio workstation (DAW) for production and the Internet for distribution, but no analogous avenue exists for the creation of the consumer. Cet article n’est pas disponible en ligne. Pour acheter la revue incluant cet article, utilisez l’encadré de commande qui se trouve au haut de cette page. |